“The Movement project” by Julia at the studio


Thursday July 27, 2017
8:34pm
5 minutes
Sophie Spiridonoff’s artist statement

It all started when I was shocked awake by own heartbeat.
Yeah yeah, you want to hear how that managed to happen, well
get in line. You don’t have to agree with or
understand it, even. It’s more about respect, if I were to
choose something.
I had the urge to talk about the body-the relationship we have
to our legs or to our finger tips; our ingrown hairs
I always get someone like you who guffaws
at the underbelly of emotion. You are not an original
critic. All you haters are the same-you hate yourself
the most. I don’t have hate for my body and you’ve
decided you no longer trust me. It’s not unusual at all,
but it makes a movement impossible.

“The wind streaked in from a thousand kilometers of Atlantic” by Julia on her couch


Wednesday July 26, 2017
8:58pm
5 minutes
The Enemy Stars
Poul Anderson


I wonder what the people on the Titanic thought when they were dying in the Atlantic. This catastrophe has been on my mind lately. Anytime I see the word Atlantic I think of how impossibly cold it must have been; how abrupt. I watched the movie recently. It was still a tear jerker twenty years later. But a lot of talk about the Unsinkable Ship this and the Unsinkable Ship that. I have a special connection to it due to being in the musical Titanic fourteen years ago. It’s where I learned the power of acting: of believing. We all stood on the set, the giant structure meant to simulate the three levels of the ship. During the opening number, us saying goodbye to our loved ones on shore, our director encouraged us to wave to the audience and envision us leaving for the maiden voyage. I waved to my dad, sitting in the fourth row, and he, without meaning to, waved back.