Monday February 3, 2014
The Essential Rumi
Rumi tr. Coleman Barks
Get on those steal toes, that hard hat, that tool belt. Get on outside where the real world fights its fights. Protected by the construction of our warm and cozy houses, we sit and we contemplate. We fear the windows when the blinds are drawn, we fear the callousness of strangers we have not yet had the pleasure of meeting. We fear the ambulance and its never-ending cries. We stay indoors, thankful for running water and a steady stream of television programs or movies ordered by e-mail. We don’t leave the couch to see the world in action outside of us. There is a whole big thing out there, and it looks just like your imagination dreams it does. Only worse. Only better. There’s no way of knowing if the dead bolt on the front door stays locked. Just a thought. Just a hunch. That we thank those pillars and roofs and hardwood floors for keeping us safe and sheltered and avoiding anything that might cause us even the slightest amount of pain. There are people living in their nightmares all around, and not in a house with books rescued from the streets. Not in a house with a pumpkin loaf baking in the oven. Not that we should choose sadness. Choose hardship. But we should not stay in our pyjamas until noon, just because our jeans are cold from the wind blowing in through the cracks.
Sunday February 2, 2014 at The Fringe Creation Lab
these five minutes: writer’s workout
They were brothers–not really–well, really, but not really. Not blood. Just blood brothers in expression–when you open up an old paper cut, or scratch a patch of skin back to make it bleed–rub your wounds into each other’s and promise something of yourselves to the other. For example: I’ll always be there for you, man. Or: No matter what, bro, no matter what.
It feels like when two dudes do this kind of thing they also automatically repeat key phrases like the MSP on a triple A baseball team…Atta boy, atta boy.
TJ and Sam were like that–only contrary to common belief, they didn’t say anything when their blood was mixing together. They both closed their eyes and just felt it. TJ and Sam had that kind of bond where they could sit in an open space with their blood dancing–with another guy’s blood, and feel a connection without having to say “No homo” just to ease the silence, the magic. They gave it its space–they gave their blood a minute before they said a single thing.